Mate, i did not know that you started to publish your mixes here, just came across this thru the epromotion and realized you already have heaps of sets up here! Not sure if you send spreaders, feel free to include me on them! (even this is not my preferred genre...)
Mate, i did not know that you started to publish your mixes here, just came across this thru the epromotion and realized you already have heaps of sets up here! Not sure if you send spreaders, feel free to include me on them! (even this is not my preferred genre...)
Well, yes, I have to admit that I am not a big fan of progressive house which means that I don't even know a lot about this style of music. However I can still say that your track selection is very smooth, there are tons of crappy, obvious tracks with trivial melodies in this genre that you can hear everywhere in bad clubs with bad DJs. You of course avoid these and show the intelligent side of this style, not too soft or melodic, not that too hard or agressive eiher. I quite liked these ones even if there is that constant trance feel that I don't dig that much (to me it's a fine border between progressive house and trance, other would probably kill me for this comment and I know that it just shows my lack of knowledge in this area).
I have to say that I very much liked your set, the only disappointing thing is that it does not work well for me over headphones, all I could think was that I'd really enjoy this in a club at 3am after a few drinks with friends on proper speakers So next time I'm back in Hungary you'll need to let me know where you're playing smile
As per the mixing: that I can judge and your confidence and professionalism shows here. I like how you "space out" the songs and leave some of the bridges untouches with no drums playing allowing time and space for the buildups that are essential for this genre. You don't rush with the mixes and transitions, it's just the right space, right structure for a perfect relaxed flow. Also, you don't let the drums-only intros and outros run alone at any time, I can hear that you focus on keeping the momentum with all your transitions (which I also do) clearly understanding that you need instruments coming in from the new track when you have other sounds going out and disappearing as the first one cools out.