End of the year, so time to have a look (or better: listen) back. In this episode a selection of tracks I've came across this year. And I can't really complain to be honest!
First track is actually from 2012, however it took me a while to discover Austrian artist Parov Stelar. “All Night” is one of the freshest sounds I've been hearing all year long! This year was also about “weird and wonderfull” in club music – Watermät's “Bullit” and Zhu's “Faded” for example – and a kick back to the mid '90s club music with Route94's “My Love” and Kiesza's “Hideaway”. Really cool to hear this sound once again
In the Trance department I was pleasantly surprised with some amazi...
End of the year, so time to have a look (or better: listen) back. In this episode a selection of tracks I've came across this year. And I can't really complain to be honest!
First track is actually from 2012, however it took me a while to discover Austrian artist Parov Stelar. “All Night” is one of the freshest sounds I've been hearing all year long! This year was also about “weird and wonderfull” in club music – Watermät's “Bullit” and Zhu's “Faded” for example – and a kick back to the mid '90s club music with Route94's “My Love” and Kiesza's “Hideaway”. Really cool to hear this sound once again
In the Trance department I was pleasantly surprised with some amazing progressive tunes (and I don't mean the Big Room kind) and massive uplifting tracks! In the latter category: Omnia, Joonas Hahmo and Ben Gold. Even better: you can get Joonas' “4WD” and Ben's “Departure” for free on Soundcloud! In the progressive corner, Welsh producer Solarstone released his Electronic Architecture 3 compilation this year with some truly amazing reworks, one of which is Soarsweeps' “Thistle”.
Other great music in this set: a cool cover of Chris Isaak's Wicked Game by Parra for Cuva and Anna Naklab, some Tropical House (I didn't even know that genre existed ) with Duke Dumont and Ninetoes and one of the biggest dance remixes of this year: the Robin Schulz remix of Mr Probz's “Waves”.
I end this episode of Selected with one of my own tracks: “Ultraviolet” is the first proper track I've composed for many years I hope to pick up on composing in 2015, we'll see